Samyog Guragain’s absurdist play satirises the contradictions and herd mentality of contemporary Nepali society with a generous dose of humour.

Through playful defiance, the play reminds children that there is rarely one right answer.

Exploring love that arrives too early, too late or not at all, ‘Almost Maya’ is an imperfect but touching theatrical debut.

Three stories, seven characters and one symbolic selroti come together in a meditation on grief and remembrance.

Through music, ‘Lahuri Bhainsi’ examines the cycle of power and social inequality.

Moving between past and present, the play brings Tara’s silenced life into a powerful theatrical form.

Directed by Bedana Kheresungma Rai, the play revisits an indigenous myth to reflect on maternal sacrifice, environmental violence, and human arrogance.

‘Maharani Ko Jatra’ turns a royal story into a modern satire, showing how those in power chase publicity and perfection.

Mandala Theatre’s three-month course uses workshops and research-based production to introduce beginners to play-making.

The play directed by Dipal Baral will be shown at Kantipur Theatre from November 10.

The play, which will premiere on November 4, tells the story of Jetsun Milarepa, a yogi and poet.

Mandala Theatre’s latest play follows Joan, who grows from a curious child into a passive adult.

‘Who Killed Chandra?’; a symbol-laden exploration of queer identity, inner turmoil, and societal silence in Nepal, unfolding through dreamlike sequences.

A tale of secrecy and class in 2050s Nepal on the Kausi Theatre stage from July 23.

As Nepal’s theatre culture grows, the absence of a unified archive poses a challenge to preserving its cultural legacy.

Two people keep finding each other through heartbreak and accidents, hoping for comfort in the other’s presence.

‘Manjira: The Muted Melody’, a Brechtian thriller confronting delayed justice and gendered violence in post-conflict Nepal, echoing the themes of Seamus Heaney’s ‘Punishment’.

With standout performances and immersive transitions, ‘Lost and Found’ reflects on identity, vulnerability, and the beauty of being seen and heard.

With sign language interpreters as part of the narrative, creative captioning, and a message on discrimination, the play sets a new standard for inclusive theatre in Nepal.

‘Nepal-Bharat Rang Mahotsav 2025’ featured powerful performances.