Born to an artist father, Mukhiya grew up uninterested in art. Now his black and white pen and ink drawings lay bare the interiors of human minds.

How two Kathmandu girls lived the Bollywood magic and made lifelong memories on the sets of Dev Anand’s ‘Hare Rama Hare Krishna’.

Rojita Adhikari, who has been doing grassroots reporting for national and international media outlets like The Guardian, Aljazeera, CNN, and Nepali Times, has become a well-known name in Nepal’s independent journalism scene.

Bikalpa Art Center’s latest interdisciplinary exhibition, ‘Revisiting the Roots in a Modern Nuance’, attempts to make sense of Nepal’s contemporary art scene journey.

Founder of internationally renowned jewellery brand Kajal Naina shares her winding life trajectory from art to dentistry to finally jewellery design.

The star-studded show had 75 nominations and 16 award categories.

Rijula Das’s debut novel has all the elements of a thriller and the traditional paraphernalia of a sex worker’s love story.

After years of releasing some of the biggest hit songs in Nepal’s pop music scene, the musician is on a mission to reinvent himself.

An artist residency programme organised by Unnati Cultural Village and Raza Foundation hosted five Indian artists in hopes of building connections and fostering interactions.

Since 2014, Bodhisattva in Action Institute, a Kathmandu-based NGO, has relied on its thangka painting classes to help people with disabilities become thangka artists.

There is much to decode about poetry with poet and podcaster Itisha Giri. She recently came out with ‘An Archive’ full of her poetic verses to share with the world.

Nepali women writers share what working is like in an industry dominated by men in an interaction with British Ambassador to Nepal Nicola Pollitt.

The dramatisation by Theatre Village Nepal offers new things to the audience but they are not all good.

Ram Prasad Koirala candidly pours his heart out with disarming sincerity in his autobiographical memoir ‘Meri Uni ra Ma’.

Rukumani Shrestha’s latest solo exhibition, ‘Vidambana’, invites viewers to discuss the contradiction between women deities and women in the real world.

Che Shankar’s theatrical adaptation of the novella ‘Ular’ stays true to the essence of the original medium but dares to lean into symbolism instead of realism.

Jiwan Parajuli’s ‘Close-up’ presents us with an insider's view of how the Nepali film industry has come to be and its evolution over the years.

Apurva Tamang thought the only way to become a professional musician was by becoming a Bollywood playback singer, but that was until his debut song, ‘Sano’, became a runaway hit.

The international film festival that kicks off in Cannes, France, on May 17 has selected nine movies for its category ‘The Short Film Palme D’or.’

The biggest and the most unforgivable sin of the ‘A Mero Hajur 4’ team is how they handle representation.