The Post brings you a lowdown on some major events this week.

Public speaking clubs and debate platforms are offering more than podiums—they’re giving youths purpose, power and a place.

Filmmakers discuss piracy, audience behaviour, and the potential of digital platforms to monetise local films.

Patricia McCormick’s fiction tells the story of a Nepali girl trapped in a cruel world of exploitation.

The film makes a sincere effort to portray characters struggling financially amid post-pandemic recession. But a contrived resolution highlights the film’s uninspired political imagination.

With standout performances and immersive transitions, ‘Lost and Found’ reflects on identity, vulnerability, and the beauty of being seen and heard.

Paresh Rawal’s sudden exit, a lawsuit from Akshay Kumar, and emotional statements have stalled the film’s production.

‘Ke Ghar Ke Dera—Ghar No. 2’ is emotionally shallow. Its fragmented narratives and sidelined female characters fail to leave an impact.

Bhandari is a model.

Why certain sounds, smells, or incidents can suddenly make you feel unsafe—and what to do when it happens.

After the band’s first performance in Austin, the song was publicly released on YouTube.

From volunteering in remote villages to launching national platforms for youth, Santosh Upadhyaya’s journey is rooted in service.

The play delves into the emotional and psychological aftermath of war.

In Bhaktapur’s Pottery Square, women quietly transform a male-dominated craft—preserving tradition, and finding independence.

The exhibit showcased over 50 original artworks from Nepali artists.

The movie takes viewers on a quiet, powerful journey through history, tradition, and personal rebellion—all without heavy dialogue or drama.

The movie is set in modern-day Nepal and inspired by real events.

The memoir highlights his struggles and achievements.

The Kathmandu International Mountain Film Festival will screen 65 films from 30 countries.

The Post brings you a lowdown on some major events this week.