Skin-revealing fashion on social media reflects a growing sense of bodily autonomy, self-expression, and resistance against conservative norms, especially among young people navigating identity and confidence in digital spaces.

The discussion will explore the speakers’ personal journeys through themes of endurance, mental health, and the role of women in adventure.

The author of ‘Unleashing Nepal’, Sujeev Shakya, reflects on the country’s evolving potential, young leadership, and why it’s time to stop thinking small.

Bhandari is a visual content creator.

‘Wonderland’ is a visually stunning film that explores grief through a near-future simulation service allowing people to reconnect with lost loved ones.

Through oil and water colour, he offers glimpses into Nepali life over the last 30 years.

With skincare advice flooding social media, dermatologist Smriti Shrestha explains why blindly following influencers’ recommendations can be risky.

How Nepal’s social norms and cultural beliefs shape perceptions of mental health.

From an intern to executive director, Suvekchya Rana has dedicated two decades to transforming lives at Saathi.

Divided into eighteen sections, the book chronicles key developments in Nepal’s recent history.

Lt Gen Shakti Gurung’s memoir, ‘Breaking the Glass Ceiling’, traces his unconventional rise in the Indian Army.

The Post brings you a lowdown on some major events this week.

Public speaking clubs and debate platforms are offering more than podiums—they’re giving youths purpose, power and a place.

Filmmakers discuss piracy, audience behaviour, and the potential of digital platforms to monetise local films.

Patricia McCormick’s fiction tells the story of a Nepali girl trapped in a cruel world of exploitation.

The film makes a sincere effort to portray characters struggling financially amid post-pandemic recession. But a contrived resolution highlights the film’s uninspired political imagination.

With standout performances and immersive transitions, ‘Lost and Found’ reflects on identity, vulnerability, and the beauty of being seen and heard.

Paresh Rawal’s sudden exit, a lawsuit from Akshay Kumar, and emotional statements have stalled the film’s production.

‘Ke Ghar Ke Dera—Ghar No. 2’ is emotionally shallow. Its fragmented narratives and sidelined female characters fail to leave an impact.

Bhandari is a model.