Looking for a nice film for a night in with your partner this Valentine’s Day? Here’s what the Post recommends.

A producer of award-winning movies, Prawin Takki Karki talks about his experience working as one in Nepal, his approach to films and how he builds creative bonds and partnerships.

Without being loud, ‘Is Love Enough, Sir?’ says a lot about society’s classist attitude that governs everything—including love.

This New Year, to celebrate the efforts of Nepali filmmakers who even during the pandemic didn’t stop entertaining and inspiring the audience, the Post picks five best Nepali short films of 2020.

Sikuma Rai’s latest documentary ‘Come over for a drink, Kanchhi’ is an earnest and empathetic attempt to tell the stories of women for whom alcohol is a friend in trying times.

Recently released on YouTube, Karma is a thoughtful film made by a stellar cast and crew, depicting a heartfelt story of a nun from Mustang who goes through a spiritual transformation.

Directed by Raghava Lawrence, Laxmii is not only boring and outdated it is also problematic, perpetuating stereotypes against the trans community despite its promises to break it.

Award-winning filmmakers Pooja Gurung and Bibhusan Basnet on their cinematic journey, their creative process, future projects and why they like to stay away from the limelight--even after achieving so much.

The portrayal of Nepalis as poor, hungry, Mount Everest-climbing, uneducated people is not a result of what the people chose to share with the world but because that’s what filmmakers decided was worth telling.

Directed by Alankrita Shrivastava, Netflix’s Dolly Kitty Aur Woh Chamakte is a messy but important portrayal of everyday women battling sexism and figuring their lives in a testosterone-driven society.

Here’s why you should watch Netflix’s latest docu-drama The Social Dilemma.

This week, the Post examines four Nepali short films that were released last month, discussing their strengths and the lessons that can be learned.

Netflix India’s latest series, Masaba Masaba, is filled with cliches and is a boring rendition of the interesting lives of Masaba and Neena Gupta.

What’s refreshing about the film is that it shows Gunjan Saxena as a human being with her own dreams, rather than as an hyper-nationalist ‘daughter of the nation’.

Here’s a breakdown of why the Mani Ratnam film is a classic and why it is--22 years later--still relevant today.

The latest Netflix film is a retelling of a ghost story from a feminist point of view, showcasing great work by a lesser-known cast who overpower the not-so-strong screeplay.

The Post spoke to filmmakers to curate a range of films to watch during the lockdown to get a glimpse of the best of world cinema.

Director Nabwana IGG’s writing, directing and sequencing doesn’t adhere to traditional storytelling notions--and that is perhaps its biggest feat.

There is more to South Indian movies than just the action they're famous for.

Netflix’s Mrs. Serial Killer is a terrible film, but you don’t have to feel guilty about watching it. At times like this, when we’re all stressed, hate-watching is--in some ways--cathartic.