The hyper-nationalistic drama leaves nothing to chance in its messaging to the audience.

Nowadays, Bollywood movies debut in theatres before moving to streaming platforms. This works well for ‘Param Sundari’ as its appeal lies in scenic charm more than emotional depth.

The movie tells a father-children story while weighing the balance between family obligations and personal needs.

What do a rural Italian village, a Nepali hillside home and a Kathmandu living room have in common? At this year’s EU Film Festival, the answer is clear: women fighting to be heard in societies that silence them.

With heartfelt moments and youthful energy, ‘Sharmajee Ki Beti’ highlights how self-acceptance and courage shape young lives.

‘Shaitaan’ highlights human vulnerability, the fragility of trust, and the courage it takes to fight forces beyond your control.

Dharma Productions returns to the familiarity of platforming undeserving nepo kids, sidelining the ‘outsiders’ with underwritten parts.

Karan Tejpal’s ‘Stolen’ is an unsettling thriller about a baby’s kidnapping that spirals into a terrifying journey through mob paranoia, class divides, and human desperation.

‘#Single’ tries to be a lighthearted rom-com but ends up normalising stalking, sexist jokes, and outdated patriarchal ideas in the name of love and comedy.

‘Uppu Kappurambu’ turns the absurd idea of villagers fighting over scarce burial land into a warm, satirical comedy.

With strong performances and raw honesty, the film tackles caste and social injustice, though it relies too heavily on dialogues.

The film’s timing—released while the industry is overwhelmed with high-octane, VFX-driven blockbusters and talentless star kids—worked in its favour.

The iconic train ambush scene—with dacoits falling in slow motion, bullets slicing through dust and light—set a new benchmark for spectacle.

Released on July 18, the film has earned more than INR200 million daily since its opening.

In his latest movie, Abhishek Bachchan portrays a man abandoned by his family who finds hope in the companionship of a young orphan.

In a world of dating fatigue, career pressure, and emotional confusion, the movie is both timely and tender.

‘Kim Ji-young: Born 1982’ follows a Korean woman whose life mirrors the quiet struggles shared by many.

The movie explores how dying young doesn’t mean living less, but living deeper, with quiet defiance.

‘Superboys of Malegaon’ is a heartfelt tribute to small-town dreamers who make films with passion and limited resources.

Recently featured at KIMFF, ‘Kottukkaali’ shows how casteism can undermine love, autonomy, and truth.