What’s refreshing about the film is that it shows Gunjan Saxena as a human being with her own dreams, rather than as an hyper-nationalist ‘daughter of the nation’.

Here’s a breakdown of why the Mani Ratnam film is a classic and why it is--22 years later--still relevant today.

The latest Netflix film is a retelling of a ghost story from a feminist point of view, showcasing great work by a lesser-known cast who overpower the not-so-strong screeplay.

The Post spoke to filmmakers to curate a range of films to watch during the lockdown to get a glimpse of the best of world cinema.

Director Nabwana IGG’s writing, directing and sequencing doesn’t adhere to traditional storytelling notions--and that is perhaps its biggest feat.

There is more to South Indian movies than just the action they're famous for.

Netflix’s Mrs. Serial Killer is a terrible film, but you don’t have to feel guilty about watching it. At times like this, when we’re all stressed, hate-watching is--in some ways--cathartic.

Nepali language films have always dominated the country’s celluloid history, but Nepali cinema has a lot more to offer. Here are some gems that showcase its true diversity.

The Post’s in-house film critic on what the ongoing pandemic could mean for the Nepali film industry which is already fraught with problems.

Need an escape from the pandemic? We got you covered with these short films.

‘Not enough time’ is no longer an excuse. Check these films out to get a hint of where Nepali films are heading.

Looking back at the 2013 film, it remains a triumph. But could it have done more?

The Post speaks to actor Avon Raj Upreti and director Anuska Rauniyar about their feature film ‘Chakkar’, which won an award at the Queens World Film Festival in New York.

Some filmmakers are taking risks and filming unconventional stories, and they are the ones you should learn from.

Directed by Anubhav Sinha, the latest Bollywood film is a tight slap on the unjust social structure that entitles men with unfair privileges.

With hopes for acting dashed, and a years pining for a career in film, Binod Paudel has finally made his name by breaking the mould.

Bardiya Sundari directed by Sahara Sharma and produced/written by Abhimanyu Dixit (the Post's film critic) is a technical mess.

The award-winning filmmaker on his love for the art of cinema and the current scenario of the Nepali movie industry.

The third edition of the festival will screen 80 films from 40 countries over five days.

The industry is in the doldrums primarily because most films neglect the basics of filmmaking--a good script with memorable characters, cinematography, and sound design.