‘Good Luck to you, Leo Grande’ is a feminist portrayal of an intimate relationship between two individuals, one in her fifties and the other in his twenties.

What exactly makes a bad film? The answer is subjective, vague, and based on individual experience-you just feel it in your gut when you’re watching a bad film.

The international film festival that kicks off in Cannes, France, on May 17 has selected nine movies for its category ‘The Short Film Palme D’or.’

The already superhit movie has all the tropes of romance movies.

Subash Thebe Limbu’s debut film ‘Ningwasum’ shows the limitless possibilities for experimentation in the craft.

‘Gangubai Kathiawadi’ could have been a classic had Sanjay Leela Bhansali given ample attention to writing a solid script instead of focusing all of his energy only on the film’s grandeur.

The movie’s biggest letdown is its unnecessarily complex script, making it hard to digest.

Asha Magrati, a renowned actor and filmmaker, on what it is like to be a woman from a marginalised community in Nepal’s film industry and her efforts to change the way things are in Nepal’s filmmaking landscape.

From Mithun’s ‘Gunda’ to Manisha Koirala’s ‘Jaani Dushman’, here are eight movies that you can watch now to relish their campiness.

Although at one point the film becomes tiresome, it’s Mithila Sharma’s powerful performance that keeps on holding the film and its weak screenplay.

‘Atrangi Re’ is a big misfire as it doesn’t have a sharper and sensitive writing to deal with the serious issues it raises.

Directed by Torquil Jones, the documentary is about mountaineer Nirmal Purja (popularly known as Nimsdai), and his quest to summit all fourteen of the world’s 8000-metre peaks in seven months.

Akshay Kumar, Bollywood’s poster boy, is back with yet another problematic film that perpetuates the beliefs of Hindu supremacists.

A stirring archive of the mask of normalcy that comes with mental illness, the grip of blind faith, and patriarchy.

An award-winning filmmaker, Belmaya Nepali is thrilled about the release of her documentary, ‘I am Belmaya’, in Nepal.

Though the series does an excellent array of storytelling--cinematography, acting, plot development--it also falls into some of the same-old Nepali cinema failings.

Celebrated cinematographer Narendra Mainali talks about his journey in the Nepali film industry, his thoughts on where Nepali films stand visually, and the challenges cinematographers like him face.

One of Bollywood’s leading art directors on what his job entails and the differences between working in Nepal and India.

In a male-dominated Nepali film industry, many filmmakers might not even know how to show female experiences with much-needed screen time and space.

A celebrated colourist on the significance of colours in films and how the Nepali film industry perceives his job.