‘Shaitaan’ highlights human vulnerability, the fragility of trust, and the courage it takes to fight forces beyond your control.

From Tharu ghonghi to Tamang pork, Newa samay baji to Rai dhido, festive tables across the country tell stories of heritage, memory, and togetherness.

While often dismissed as ‘just dreams’, nightmares can be a sign of stress, trauma, or illness.

At Takpa Gallery, ‘To Build a Shelter’ shows how landscapes, ancestors, and everyday objects keep the idea of home alive.

Since 2018, Rukshana Thapa has been travelling across the country to study mushrooms, uncovering their ecological, medicinal, and cultural significance.

The cause of the first devastating fire in 1973 remains a mystery. The need to rebuild it after the recent destruction should not be.

The destruction of monuments and postponement of festivals highlight the growing threat to our heritage.

At the 30th edition of the pageant, four women walked away with crowns—but also with missions bigger than themselves.

The 30th edition of the pageant introduced new diamond crowns and featured four major titles.

Professor Sthaneshwar Timalsina reflects on the challenges of institutionalising Tantric studies and differences in how Eastern and Western students engage with philosophy.

Karan Tejpal’s ‘Stolen’ is an unsettling thriller about a baby’s kidnapping that spirals into a terrifying journey through mob paranoia, class divides, and human desperation.

After being bullied at school and feeling lost in the corporate world, Anna Dhakal found her true calling in painting.

‘#Single’ tries to be a lighthearted rom-com but ends up normalising stalking, sexist jokes, and outdated patriarchal ideas in the name of love and comedy.

The ‘Teenpatey’ singer speaks of how folk roots, long training, and unexpected virality shaped his career.

Once seen mainly as a beauty contest, Miss Nepal has transformed into a stage for social advocacy, entrepreneurship, and national representation.