The cause of the first devastating fire in 1973 remains a mystery. The need to rebuild it after the recent destruction should not be.

The destruction of monuments and postponement of festivals highlight the growing threat to our heritage.

At the 30th edition of the pageant, four women walked away with crowns—but also with missions bigger than themselves.

The 30th edition of the pageant introduced new diamond crowns and featured four major titles.

Professor Sthaneshwar Timalsina reflects on the challenges of institutionalising Tantric studies and differences in how Eastern and Western students engage with philosophy.

Karan Tejpal’s ‘Stolen’ is an unsettling thriller about a baby’s kidnapping that spirals into a terrifying journey through mob paranoia, class divides, and human desperation.

After being bullied at school and feeling lost in the corporate world, Anna Dhakal found her true calling in painting.

‘#Single’ tries to be a lighthearted rom-com but ends up normalising stalking, sexist jokes, and outdated patriarchal ideas in the name of love and comedy.

The ‘Teenpatey’ singer speaks of how folk roots, long training, and unexpected virality shaped his career.

Once seen mainly as a beauty contest, Miss Nepal has transformed into a stage for social advocacy, entrepreneurship, and national representation.

‘Uppu Kappurambu’ turns the absurd idea of villagers fighting over scarce burial land into a warm, satirical comedy.

American photographer Chan Chao explores themes of migration, identity, and global connection through his evocative work and teaching.

With strong performances and raw honesty, the film tackles caste and social injustice, though it relies too heavily on dialogues.

A PhD researcher and pop singer, Kunwar believes music can do more than entertain—it can educate and empower.

Students rely on machine-generated content, skipping essential processes like analysis, interpretation, and articulation. With conveniences come consequences.