From an ecofeminist perspective, she draws parallels between the exploitation of land and the marginalisation of women.

‘The Girlfriend’ exposes how romantic relationships can mask control and entitlement as love, showing the gradual erosion of a woman’s autonomy.

Showcased at the Nepal Human Rights International Film Festival, ‘Shakti’ follows a single mother and her daughter as they navigate sexual violence, caste prejudice, and institutional indifference in Kathmandu.

From the rise of scooter-riding girls to the commodification of food and sex, the anthology offers a thought -provoking examination of Kathmandu’s evolving urban landscape

In ‘Aura of Togetherness’, artist Sabita Dangol explores harmony between humans, animals, and nature through intricate patterns and imaginative storytelling.

It captures the long, punishing journey of migrant workers during the pandemic while exposing the caste, labour and systemic inequalities they live with.

Young Nepalis’ involvement in organising, documenting and participating has helped the festival evolve while preserving its core connection to ancestry and nature.

Nowadays, Bollywood movies debut in theatres before moving to streaming platforms. This works well for ‘Param Sundari’ as its appeal lies in scenic charm more than emotional depth.

Recent research and personal stories from young Nepalis show that video games can support mental well-being by offering stress relief, emotional regulation, and social connection.

‘Maharani Ko Jatra’ turns a royal story into a modern satire, showing how those in power chase publicity and perfection.

Writer and filmmaker Nirvana Bhandary discusses her debut book ‘Unsanskari: A Feminist Life’, and the importance of unlearning patriarchal norms.

The movie tells a father-children story while weighing the balance between family obligations and personal needs.

German ambassador to Nepal Udo Eugen Volz reflects on lessons from history, the importance of dialogue, and his early impressions of Nepal’s resilience.

Mohammad Rasoulof’s ‘The Seed of the Sacred Fig’ mirrors not just Iran’s protests but the growing digital resistance seen among Nepal’s youth.

Hyper-independence is an extreme form of self-reliance, leading people to avoid vulnerability and refuse support even when they are struggling.