Bidhyaman Tamang puts on canvas the tales of lost agricultural complexity, the ethos of modern city life, and nostalgia.

Thamel’s Dalai-La Art Space hosts an exhibition featuring works of Khokana-based sculptor Chandra Shyam Dangol.

Gallery Mcube hosts two solo exhibitions by Japanese artists, jointly called ‘Crossing Nepal-Japan’.

Binod Pradhan uses this specialised skill-set in landscape painting while taking an imaginative freedom to look into the future and anticipate events.

One of the pioneers of nude art in Nepal, he has spent the past 14 years popularising nude art as a genre in Nepal.

Naman P Ahuja, the chief curator of Lumbini Museum, on what curating means to him, his vision for the museum, and the challenges of curating in a region as diverse as South Asia.

‘Spirit of Friendship’ exhibition is being held from September 2-12 to mark 50 years of Nepal-Bangladesh diplomatic relations.

For a musician who has put out one hit song after another for almost nine years, Bipul Chettri doesn’t consider music as his career.

Artist Sushma Shakya’s latest solo exhibition, ‘Chen: Overlooked Reality,’ attempts to emphasise the relationship between nature’s five elements, humans, and their houses.

Born to an artist father, Mukhiya grew up uninterested in art. Now his black and white pen and ink drawings lay bare the interiors of human minds.

Bikalpa Art Center’s latest interdisciplinary exhibition, ‘Revisiting the Roots in a Modern Nuance’, attempts to make sense of Nepal’s contemporary art scene journey.

Since 2014, Bodhisattva in Action Institute, a Kathmandu-based NGO, has relied on its thangka painting classes to help people with disabilities become thangka artists.

Known for using books from second-hand bookstores to create art, Youdhisthir Maharjan talks about his first exhibition, his artistic methods, and why he thinks art should be universal.

The recently concluded month-long art festival Kathmandu Triennale 2077 attracted thousands of visitors, and we set out to find out what people thought of the exhibitions.

As Kathmandu Triennale 2077, Nepal's biggest art event, is set to conclude in a week, the Post reviews what worked and what didn't.

Bodhisattva Gallery’s ongoing exhibition, ‘Karunamaya’s Karuna’, attempts to shed light on and demystify the art of Buddhist statue making and paubha art.

The most significant impact Karnali Arts Centre has made over the years is engaging people in conversations related to caste and gender.

In Nepali culture to be called a donkey or a mule is taken as an offence. But Bharat Rai through his paintings subvert our preconceived biases making us empathise with the creatures instead.

For these women artists from Tarai, Mithila art serves as their source of strength and happiness in an imperfect world.

Srijanalaya and the UN Women Nepal’s ‘We for Us’, a digital exhibition, gives a glimpse of two gender equality activists’ lives.