Work and hope return, slowly but surely
Conversations with painters, theatre artists, entrepreneurs, and visual artists reveal a pattern: a pause, a reflection, and a hopeful return.
Conversations with painters, theatre artists, entrepreneurs, and visual artists reveal a pattern: a pause, a reflection, and a hopeful return.
From hospitals to police stations, youth clubs, environmentalists, and local volunteers provide food, medical aid, and cleanup support.
As TikTok trends and imports flood the market, Nepal faces a choice: follow the fast fashion model or invest in sustainable alternatives.
Saroj Poudel’s social drama delves into the dilemmas of rural Nepal, examining migration, family obligations, and the struggles of love and survival.
Postpartum workouts are often rushed or misunderstood. Is hitting the gym early the right move—or should recovery take the lead in rebuilding strength and well-being?
From early morning hikes to practising at training grounds and juggling law school with international competitions, Karina Puri shows how passionate persistence can help forge one’s own path.
Jigme Tamang Mugum’s artworks at Gallery 108 show the lineage of Karmapas and their forebears as a visual cosmology.
Led primarily by women, Gaura Parva weaves together myth, music, fasting, and community life, carrying forward centuries of cultural strength.
Behind the clutter lies a deeper mental health struggle, as hoarding disorder quietly disrupts lives, homes, and well-being.
At Rhythm Neuropsychiatric Hospital, a small team of full-time specialists works to integrate psychiatry, psychology, and rehabilitation in a setting designed for steady care rather than rapid expansion.
Former civil servant and author Ramchandra Man Singh shares insights into his career, travels, and the stories behind his books.
‘10 People's Stories’ traces everyday lives, lost traditions, and the subtle shifts in Nepal’s social and cultural fabric.
Every meal and cup of tea at Chiya Sewa supports animal welfare, with rescued dogs welcoming customers.
For generations, the Tharu have practised a quiet, enduring form of printmaking—one rooted not in studios, but in kitchens, courtyards, and rituals.
The film’s timing—released while the industry is overwhelmed with high-octane, VFX-driven blockbusters and talentless star kids—worked in its favour.