The fear of being ‘cringe’
In an effort to avoid judgments on social media, people are rebuilding their self-expression and identity.
In an effort to avoid judgments on social media, people are rebuilding their self-expression and identity.
Himal Upreti’s social drama mistakes harassment for romance, crime for comedy and sudden remorse for redemption.
Indian artist Lalit Mohan Singh’s solo exhibition at Artudio transforms memories into layered paintings.
The Dhumbarahi Children’s Library marked its second anniversary with activities organised largely by young volunteers, celebrating a community built around reading and sharing.
From folk music to playback singing, the women nominated at the ‘Xtreme Energy Drink Presents National Music Awards’ reflect on balancing artistry and visibility in an era of algorithms.
Exploring love that arrives too early, too late or not at all, ‘Almost Maya’ is an imperfect but touching theatrical debut.
Russian multidisciplinary artist Liudmila Rozvodovskaya presents a new body of work inspired by her research and residency in Nepal.
Understanding the patterns behind our fears, reactions and relationships can open the possibility of change.
Inside Jamarko’s workshop, discarded paper is transformed into handmade creations—in a reminder that waste is not always the end.
Rich in detail, ‘The Little Friend’ showcases Donna Tartt’s storytelling gifts while struggling to give its murder plot a satisfying shape.
The country’s LGBTQ community has won significant legal recognition, but participants at this year’s Pride Parade say social acceptance remains a work in progress.
In ‘Pani Ko Parade’, poetry becomes both protest and reflection, challenging readers to confront uncomfortable truths.
‘Silent Bone’ unfolds across five venues in Kathmandu, inviting visitors to experience contemporary art as an evolving journey.
Through Chori Beyond Borders, Krishma Subedi is building a space where Nepali women can dream beyond geographic boundaries without losing their sense of home.
‘Umanga’ presents Kathak as a progression—from invocation and technical nritta to narrative-driven pieces rooted in Hindu mythology and devotional themes.