Through Dhaago, the Darjeeling designer is mixing traditional clothing with modern fashion to create a style that crosses cultural borders.

The film has an intriguing premise and an unconventional narrative, but its reliance on exposition keeps it from developing genuine anticipation.

Dipendra K Khanal’s 2022 film follows a dead migrant worker on his final journey home, finding grief, intimacy and a changing society in the silences along the way.

Known as ambiguous loss, this experience can involve loneliness, anxiety and uncertainty about when—or whether—the parent will return.

As audiences record films from cinema seats and circulate them online, Nepali filmmakers are navigating the growing piracy problem.

Traditional dress, music and dance filled Kathmandu as indigenous communities came together to celebrate diversity and raise concerns over political representation and land rights.

From questioning whether she belonged in pageantry to winning the crown, Subba says growth came from confronting her fears.

Nishaant opens up about deleting social media, embracing criticism and preparing to represent Nepal in Japan.

Inspired by her mother, Dhakal shares her journey of identity, resilience, and championing cancer awareness.

Psychologist Shristi Kharel explains how children who grow up managing their parents' emotions carry the weight of parentification.

Nine contemporary artists examine the world through colour and memory in ‘Chromatic Psyche: A Collective Art Show’.

The finale celebrated ambition and purpose as Dhakal claimed the crown alongside Arya Nishaant and Kashis Subba.

Spanning five decades, ‘Kokuho’ traces one performer's moral cost of becoming indispensable to art.

In ‘Ek Hul Batas’, Sanod Maharjan transforms Tistung into an abstract landscape of nature and colour.

The play experiments with blending melodrama, tragedy, musical theatre and horror.