A look at student living in the Indian capital city, from busy university districts to quieter residential areas.

A dreamer abandons a system that cannot understand her, carrying only the lessons of loss.

These immersive walks encourage participants to hear, smell, and engage with living traditions while fostering deeper connection to place and community.

In ‘Pani Ko Parade’, poetry becomes both protest and reflection, challenging readers to confront uncomfortable truths.

The Post brings you a lowdown on some major events this week.

At Siddhartha Art Gallery, ‘Aarambha’ explores Paubha as a practice rooted in faith, patience and cultural memory.

Popular skincare tools like gua sha and jade rollers may refresh the skin, but they cannot deliver the sculpted results often seen online.

Surgeon Dr Rameshwar Prasad Pokharel reflects on a lifetime spent expanding child healthcare, training specialists, and his upcoming book ‘Basics of Pediatric Surgery’.

‘Silent Bone’ unfolds across five venues in Kathmandu, inviting visitors to experience contemporary art as an evolving journey.

‘Shape of Momo’ offers a thoughtful portrait of a woman navigating the tensions between individuality and social conformity.

The Kathmandu edition of the Kalinga Literary Festival will bring together writers, artists and thinkers from South Asia at Hotel Himalaya.

Words like ‘trauma’, ‘OCD’, and ‘gaslighting’ have become part of everyday vocabulary, often far removed from their clinical meanings.

Cultural practitioners see potential in the new allocations, yet doubts persist over funding priorities and long-term impact.

‘The Oldest Munro Bagger’, ‘The Anti Expedition’, and Nepali entries were among the winners as the festival concluded on Sunday.

Through Chori Beyond Borders, Krishma Subedi is building a space where Nepali women can dream beyond geographic boundaries without losing their sense of home.

‘Ekadeshma’ examines the emotional and cultural consequences of emigration.

A youth recalls the revolt that killed him and questions whether his death changed anything at all.

‘Umanga’ presents Kathak as a progression—from invocation and technical nritta to narrative-driven pieces rooted in Hindu mythology and devotional themes.

Drawing from Ranjana Lipi and Bhaktapur’s artistic heritage, Kristan Napit turns umbrellas into unconventional spaces for calligraphic experimentation.

Directed by Nabin Bhatta, the play uses Eklavya’s story to question power structures.