Kathmandu is set to host its first-ever ‘China Film Day’ at Chhaya Center (QFX Cinema), Thamel. The event aims to strengthen cinematic and cultural ties between Nepal and China, fostering storytelling and film production collaboration.

Jointly organised by the China Film Administration, the Embassy of the People's Republic of China in Nepal, the China Film Archive, and the Nepal Film & Cultural Academy (NFCA), the event will showcase three acclaimed Chinese films. These screenings will be followed by a Q&A session with filmmakers, offering a platform for cultural exchange and dialogue.

The films scheduled for the day include; ‘Her Story’, ‘Midsummer's Voice’ and ‘G for Gap’.

The event will be graced by a distinguished audience comprising artists, directors, technicians from the Nepali cinema sector, and prominent personalities. Officials from the Chinese Embassy in Nepal, the Nepal Film Development Board, and the Nepal Tourism Board are also set to attend. Hon'ble Barsaman Pun, member of parliament and former finance minister, will grace the event as Chief Guest.

A special Chinese delegation, led by Xu Yang, director of the International Division of the China Film Administration, will participate in the event alongside other representatives of the Chinese film industry.

Speaking about the significance of China Film Day, KP Pathak, chairperson of the Nepal Film & Cultural Academy, emphasised its potential for the Nepali film industry. “This is not just a film screening; it’s a bridge that connects two vibrant cultures. By showcasing the creativity and depth of Chinese cinema, we are creating opportunities for Nepali filmmakers to learn, collaborate, and expand their horizons,” he said.

Pathak further highlighted the broader impact of such cultural exchanges, stating, “Events like these are instrumental in fostering mutual respect and understanding between nations. They pave the way for co-productions, joint ventures, and shared narratives that can resonate with global audiences. I’m confident this is just the beginning of a new chapter in Nepal-China cinematic relations.”