A gender-fluid boy, a kidnapping case, one-dimensional villains and Bipin Karki as a trans woman—this film chews more than it can swallow.

The band, known for their soft music and eccentric videos, released their first Nepali language album in August.

The à la carte menu, which features innovative dishes with localised flavours, was designed by celebrity chef Santosh Shah.

Mohan Rai’s ‘Mahanagar’ gracefully pulls off the conversational, dialogue-driven style of filmmaking.

Kamali Kanta Bhetuwal’s song ‘Jhamke Guleli’ struck a chord with many because of its purbeli tone, accompanied by earnest and imaginative lyrics.

It is warm, honest, and interesting—three adjectives I thought I’d never get to use for a Nepali movie.

Thousands of devotees make their way to the Machchhenarayan temple to honour Matsya, one of the ten incarnations of Lord Vishnu.

Yug Pathak, a writer, journalist and an overall ‘cynic’ of all things status-quo, talks about how books and knowledge systems help shape our collective psyche.

Shilpee Theatre’s recent play ‘Tranzit’—written by Kumar Nagarkoti—is about a crummy playwright with a little too vivid imagination.

The photobook ‘Nepal Earthquake’ by American photographer Kevin Bubriski captures the aftereffects of the disaster on the people of the Valley.

The story follows the life of Mima, a Japanese pop idol, whose transition to a film actress results in a series of surreal occurrences.

He has been a frustrated runaway, inveterate flaneur, yogi apprentice and a hashish dealer. Now he is content being a ‘spiritual artist’.

Mandala Theatre’s ongoing play ‘Hiu Bhanda Chiso’ transports the viewer to a night of existential frenzy at an isolated village in the far west.

The romantic thriller featuring Shilpa Maskey attempts to deal with all things taboo: from infidelity to necrophilia.

Shaili Malla, a young artist from Bauddha, presents a dream-like, foggy window into the memories that have shaped her.