Priyam Pradhan’s ongoing exhibition “/’mAni/” looks at ways money influences the modern world.

The film, at times funny and witty, is too drenched in the nostalgia of its prequel.

The film stands as a testament to the power of journalism, reflecting how encouragement, teamwork and proper resources help journalists unearth structural issues and make a change.

Katha Ghera’s newest production looks beyond the glitz and glamour of wedding preparations.

A gender-fluid boy, a kidnapping case, one-dimensional villains and Bipin Karki as a trans woman—this film chews more than it can swallow.

The band, known for their soft music and eccentric videos, released their first Nepali language album in August.

The à la carte menu, which features innovative dishes with localised flavours, was designed by celebrity chef Santosh Shah.

Mohan Rai’s ‘Mahanagar’ gracefully pulls off the conversational, dialogue-driven style of filmmaking.

Kamali Kanta Bhetuwal’s song ‘Jhamke Guleli’ struck a chord with many because of its purbeli tone, accompanied by earnest and imaginative lyrics.

It is warm, honest, and interesting—three adjectives I thought I’d never get to use for a Nepali movie.

Thousands of devotees make their way to the Machchhenarayan temple to honour Matsya, one of the ten incarnations of Lord Vishnu.

Yug Pathak, a writer, journalist and an overall ‘cynic’ of all things status-quo, talks about how books and knowledge systems help shape our collective psyche.

Shilpee Theatre’s recent play ‘Tranzit’—written by Kumar Nagarkoti—is about a crummy playwright with a little too vivid imagination.

The photobook ‘Nepal Earthquake’ by American photographer Kevin Bubriski captures the aftereffects of the disaster on the people of the Valley.

The story follows the life of Mima, a Japanese pop idol, whose transition to a film actress results in a series of surreal occurrences.