The women left behind by the revolution
In ‘War Through an Intersectional Lens’, Keshab Giri captures the voices of former Maoist fighters whose revolutionary dreams collided with hard realities.
In ‘War Through an Intersectional Lens’, Keshab Giri captures the voices of former Maoist fighters whose revolutionary dreams collided with hard realities.
Shortlisted for the Madan Puraskar, 2072, Ghanashyam Khadka’s Nirvana revisits the question of if spiritual healing could indeed be the ultimate therapy
With his recently-released anthology Fulani, Khagendra Lamichhane proves that he is no one-trick-pony