Even though the traditional art scene in Nepal has always been vibrant, it has still not received the exposure it deserves,” opined Nhuchhekaji Bajracharya, speaking at the 22nd edition of the monthly art talk event, Kala ka Kura. “Lately though, we artists specialising in the paubha arts have come together and plan to take step institutionally.” 

While in the past, it was very hard to sell a piece of paubha art, these days that has changed, the artist said, with many institutions taking steps towards archiving paubha arts. “This is a really good development,” Bajracharya said, before moving on to talk about his personal journey as a paubha artist. 

“Back in those days, we had to work with limited resources and finding a mentor to guide you was very hard. I started painting from early on in my school days, but I got a chance to hone my skills after I came in contact with the late Gyankar Bajracharya,” Bajracharya recalled. “He would say that a single twig breaks but a bundle of twigs is strong. Among his many lessons, I take this very close to my heart.” Gyankar Bajracharya later founded a group of artists that went by the name Khwapa Kala Chwami Pucha. 

Nhuchchhekaji Bajracharya is noted for his infusion of elements from Hindu and Buddhist theology into his work. He also has an inimitable command over the mandala.  Bajracharya’s work has been exhibited and archived in venues in countries such as France, US and China, among others.