Once a sacred dance form, Charya has become more accessible, reaching more communities.

‘Krama—The rise of the female artists in the 21st Century’ celebrates the work of female artists, but disappoints as spectators get no lasting impression.

Former Miss Nepal Shrinkhala Khatiwada discusses her one-night stay at a chhau goth in Babala, Achham, to experience the ancient practice of the outlawed Chhaupadi.

BT Kancha, the YouTube persona of Biswas Timshina, is here to tickle your funny bone through parody songs, but not in the usual frivolous way.

Girls as young as 10-years-old are dropped off at the Sulakshan Kirti Vihar for better education by their parents, but a monastic life is expected of them.

Gender biases are more visible during festivals, with household and kitchen chores assigned solely to the women of the house.

The third iteration of Himalayan Art Festival brings together the works of 150 artists and is a magnificent display of the evolving art scene in Nepal.

Not all self-portraits or selfies are self-absorbed, they can be a tool for powerful self-expression.

Peter John Karthak talks about his love for writing and why he thinks writing is still very expensive in Nepal.

There are thousands of stray cows in Nepal, primarily because it is illegal to kill them and there are no government mechanisms for their care.

Nepali women still grapple with sexist language and expressions that most men easily dismiss.

‘If the language survives, so will the civilisation.’

Stereotypical Madhesi portrayals in popular culture are a big hit, but for the Madhesi community, they are racist and offensive.

Although this year’s BFA show isn’t particularly groundbreaking, the art students deserve recognition for their earnest hard work.

When a local guide meets a local tourist, you can bet things are going to be awkward.