The pandemic had isolated the art world. But as life returns to normal, Tulikaa Kala’s solo exhibition series ‘Kholo: A cycle of life’ is opening doors--and minds--to diverse experiences and outlooks on life.

Kabi Raj Lama is an established printmaker who has been creating visual keepsakes on the idea of ‘impermanence’ ever since he closely saw loss and devastation.

It has been over six decades that Raja Shakya has been writing stories in Nepalbhasa, fighting, in his own way, to keep the language alive.

Asia Art Archive and Siddhartha Arts Foundation’s Mobile Library Nepal could be a start to engaging more people with art—a place to dig deeper and understand art better.

Inadequate training and school teachers as enumerators were issues in the past. This time, the Central Bureau of Statistics has called applications for 52,000 workers.

Mitthu Tharu has quietly emerged as one of the most notable upcoming artists in recent times—highlighting much of Tharu art and culture.

The latest exhibition ‘Contemporary Art of Nepal’ brings diversity from 29 contemporary and four emerging artists--and also makes it eminent that people are now expecting more from Nepali artists.

Despite voices being raised in the Capital and across the country against the injustices inflicted on Dalit people, their plight remains the same. The Post takes a look at the events that took shape last year and why they were not enough.

Gallery Mcube's latest exhibition ‘MAATO’ is manifestations of concepts that reflect contrasting takes on the medium of clay by artists Sushila Singh and Zoe Williams.

Sabda Sangram, an upcoming virtual rap battle show, is making sure aspiring rappers have a voice.

The traditional artist’s work is peculiar and culture defying, and that is his legacy.

The founder and director of Nepal Literature Festival, Ajit Baral talks about his love for literature and how literature festivals are more than social events for authors.

Kathmandu Metropolitan City is restoring the centuries-old pond as a recreation centre complete with small artificial ponds at four corners and a fountain at the centre.

Niranjan Kunwar’s accounts of a queer man navigating through his life in ‘Between Queens and the Cities’ is not an uncommon story, but it is an urbane and hopeful recollection.

Rajan Sakya’s Museum of Nepali Art, or MoNA, is just about ready to fill the void of a Nepali art museum that the art community has discussed for years.