Made in 1957, Guru Dutt’s ‘Pyaasa’ has bold portrayal of society, soulful dialogues and lots of poetry.

As cinema is slowly moving from curtains to the screens of our devices, filmmakers face new challenges and opportunities.

‘Pooja’ is a film about a young girl whose naivety in a patriarchal society results in horrifying consequences.

Nischal Basnet’s ‘Dimag Kharab’ is a compelling social drama where a simple man navigates political deceit, personal sacrifice and social injustices.

Joshua Fields Millburn, the New York Times-bestselling author and filmmaker, discusses minimalism and what viewers should take away from his documentaries about this practical lifestyle.

‘Gopi’ is a film about a man who jumps through hoops to pursue unconventional dreams in modern society.

The film, at times funny and witty, is too drenched in the nostalgia of its prequel.

The film stands as a testament to the power of journalism, reflecting how encouragement, teamwork and proper resources help journalists unearth structural issues and make a change.

Following the death of her husband soon after marriage, Sandhya tries to understand the person that he was.

Shivam Adhikari’s ‘Panchayat’ boldly confronts taboo subjects and their consequences within the context of rural Nepal.

‘Saanghuro’ doesn’t shirk from showing poverty in all its endless despair.

A gender-fluid boy, a kidnapping case, one-dimensional villains and Bipin Karki as a trans woman—this film chews more than it can swallow.

It is a coherent, well-meaning movie that doesn’t let cliches and inherent preachiness take away from its stellar plot and performances.

Mohan Rai’s ‘Mahanagar’ gracefully pulls off the conversational, dialogue-driven style of filmmaking.

It is warm, honest, and interesting—three adjectives I thought I’d never get to use for a Nepali movie.

Written and directed by veteran actor Saroj Khanal, the film follows the life of a single mother and her daughter.

The film, written and directed by Anvita Dutt, follows the tragic life of a singer, Qala Manjushree.

Tripathi won the ‘best actor’ award at the Houston film festival for his portrayal of a troubled postman in ‘Halkara.’ But he’s just getting started.

The 2015 film boasts of remarkable visual aesthetics, but struggles to strike a balance between historical accuracy and engaging storytelling.

The story follows the life of Mima, a Japanese pop idol, whose transition to a film actress results in a series of surreal occurrences.