The academic interest in Nepali art today calls for a need to theorise art criticism and art history.

In 2020, the country should be open about its problems and its dedication to the preservation of our cultural matters.

All the people who understood that power keeps shifting must understand that they are rereading their own past by reading this book.

So-called academics once politicised institutions and destroyed academia. But reading culture is catching up.

Not all learners of the English language have the same approach to it; Nepalis are especially foreign to the language.

As Nepali diaspora grows, the NRNA should continue to address the issues of non-residents and their families.

We should evoke the great classical poetic tradition to replenish the values of life.

Swathes of people leaving the Kathmandu Valley reminds us of its magnetic power to attract people.

Nepali cinema is grappling with the fundamental questions of experiments marketing of cinema.

That BP Koirala should remain a misread and misunderstood statesman in Nepal puzzles literary writers who read his works.

Politicians, in filling universities with party adherents, have helped erode the strength of free thought that would have come only with the right education.

Artists from South Asian countries cannot allow the comatose state of one regional organisation to influence their willingness to collaborate.

When the earth shook in 2015, the politicians were suitably rattled to conclude they should promulgate the constitution.

The melody of early modern Nepali history inspires us to look into our own times today.

Nepal’s first female music director is one of the most prominent singers, representing the early days of modern Nepali music.