Nepali politics appears to be moving towards some kind of uncertainty.

The uncertainty that the political interpretations have created about the king carries a burden of ambivalence.

Nepal needs a leader who can combine the qualities of the statesmen and visionaries that Kissinger describes.

‘Deities of Nepal’ effectively dramatises Nepali artists’ imaginaire about divine motifs.

The Nepali society is experiencing moments of changes of different orders of significance.

Voters know that lust for power and position dominates the atmosphere of democratic politics.

The politicians' existential angst comes out clearly in their unrealistic work plans.

The essence of his cultural studies is that no subject or belief becomes meaningful sans performance.

The paintings of younger artists show some features that are very encouraging.

A prudent and creative spirit should guide the metropolitan spirit of construction.

The psyche of producing gossip would remain the principal shaper of the election manifestos.

The story of the British cemetery begins from the lonely first grave of a young officer.

Nepali writers too have written about their experiences, but only a few merit attention.

The greatest attribute of Sharma's paintings is his imaginative recreation of the past.

Things went wrong when the political parties turned the students' organisations into party units.