Dyo Pyakhan, a timeless tradition, is a sacred dance ritual rooted in the tantric traditions of Nepal, which has been performed annually in Bode, Madhyapur Thimi, for over 500 years. Tracing its origins to the Malla era, this three-day ritual is celebrated after Gai Jatra, symbolising a divine celebration of dance. ‘Dyo Pyakhan’ translates to ‘Dance of the Gods,’ and it features 19 deities, including Bhairab, Barahi, and Ganesh. With each dancer playing a significant role, their performance is a testimony to Bhaktapur’s rich spiritual and cultural heritage.

Saurav Thapa Shrestha, a visual communicator working in photography, got the inspiration to document Dyo Pyakhan came from a lifelong connection to this tradition. Born and raised in Bhaktapur, he began photographing the cultures and rituals from 2008, striving to preserve the spiritual and cultural significance through visual storytelling. “This tradition has survived earthquakes, pandemics, and countless social changes. It’s more than a performance—it’s a belief system, and documenting it ensures it remains alive for generations to come,” he explains.

The dance demands discipline from its performers. From dawn until noon, they dance tirelessly, refraining from eating, speaking, or sitting. Each movement reflects years of training and devotion. Tantric rituals guide the male performers passed down through generations.

Shrestha’s photographs highlight the details of the masks and costumes, which are central to the visual and spiritual narrative of Dyo Pyakhan. Each mask reflects the clear iconography of the deity it represents, instantly recognisable even from afar. The jewellery, especially that of Bhairab, is evidence of the elaborate craftsmanship and devotion that sustain this tradition. “The masks aren’t just props—they’re like spiritual cable, bringing the performers closer to divinity,” Shrestha says.

His lens captures the mythology that breathes life into Dyo Pyakhan. The folklore speaks of Nilbarahi Devi, a deity who taught the sacred dance after kidnapping an individual from the nearby jungle.

Reflecting on the challenges he faced, both visually and technically, Shrestha recalls the synchronised Simha jump as the highlight of the performance. “Everyone eagerly awaits this moment. The energy is palpable, and capturing it is always a fulfilling experience,” he shares.

Community support is crucial for the performers to carry the tradition forward. From preparing the deity crowns to ensuring the traditional oil lamps are lit for 12 hours, families and helpers contribute to every aspect of the dance.

Shrestha’s exhibition, held at Akha, Dyo Chhen, from December 27-29, brought this ancient tradition to life through a curated series of photographs. Each image tells a story, from the performer’s disciplined routines to the intricate symbolism of their attire.

Despite the joy of capturing Dyo Pyakhan, Shrestha acknowledges the challenges, particularly the decreasing number of traditional gurus and the caste restrictions limiting who can perform. Yet, his 15-year journey documenting the festival has been fulfilling. “People now associate me with Nilbarahi Naach. It has become a milestone in my career, blending storytelling, research, and photography,” says Shrestha.

For Shrestha, the Dyo Pyakhan represents more than a cultural tradition; it is a sign of resilience, belief, and unity. His work ensures that the dance, deeply rooted in spirituality and history, continues to inspire and educate, bridging the past with the future.