Brief Candle is as burlesque as it is tragic
One World Theatre has once again brought us an exciting theatrical piece, one the theatergoing audience of Kathmandu should experience firsthand
One World Theatre has once again brought us an exciting theatrical piece, one the theatergoing audience of Kathmandu should experience firsthand
Starting off with a summer camp involving children and young artists and ending with a roundtable that explored contemporary feminist discourse in this country, Nexus Culture Nepal (and Lasanaa) in Bakhundole led us through a week packed with art, theatre, films, performances, rallies and conversations in early August.
There is a group of dedicated, young art practitioners in Nepal, who believe that art can alleviate suffering not simply in the form of distraction or an escape but as a powerful, transformative practice that can lead to true convalescence and personal growth
I remember ending my last piece with these words: ‘Let’s take another step forward to a time when life for humankind has ceased altogether and turn back to this time, this Sunday morning in June in the year 2018. If we were to, what would we have changed?’ On this morning, I will delve a little deeper into that idea and perhaps even lure you into yet another rabbit-hole in time.
Let’s take another step forward to a time when life for humankind has ceased altogether and turn back to this time, this Sunday morning in June in the year 2018. If we were to, what would we have changed?
The exhibition at Siddhartha Art Gallery that started on the 24th of last month, and currently on show, is a collection of paintings by Prithvi Shrestha, the first recipient of a newly instituted bursary by the Himalayan Light Foundation, founded by senior Chinese artist Zhao Jianqiu in 2015.
The fact that traditional art forms are surviving, and experiencing an influx of artists to boot, means that these art forms are negotiating our globalised world’s economic structures and rules
About two weeks ago I was walking in Bakhundole and was intrigued by the sight of paper kites hanging on house-walls. Each kite had a string attached that seemed to lead back to a source somewhere nearby. Intrigued further, I followed the strings and rows of kites and found myself on the NexUs Lasanaa premises, and into a performance in progress
As you pass Hotel Himalaya in Lalitpur, your eyes are bound to linger on the wall separating it from the busy traffic on the road. Women’s faces, reclining bodies, flora and fauna in tints of red and shades of white,
Recently, Club 25 Hours at Tangalwood hosted quite an extraordinary show over two weekends.
In discussing the Dhaka Art Summit 2018 tangentially, I take my queue from Gayatri Chakravorty Spivak’s closing keynote address. Gayatri is a name familiar to Nepal’s academia, as she is to a large section of students of the humanities and social sciences.
With the passing of Dina Bangdel on July 25, 2017 Nepal lost an outstanding art historian specialising in traditional Himalayan and modern and contemporary South Asian art.
Last Tuesday, February 6, saw the opening of an exhibition of photographs showcasing sheer beauty at Siddhartha Art Gallery. Spectrum by Laurence Kent Jones oozes a perfect mix of visual grace and edgy compositional skills.
In the first week of January, Nexus Culture Nepal at Bakhundole hosted a rather interesting event called ‘The Loudest Voices You Never Heard’.
The sun had already set and a light evening mist was drifting in on the crowd waiting outside the Siddhartha Art Gallery last Sunday, when ‘Nari Satranj’ finally opened to the public.