‘The Oldest Munro Bagger’, ‘The Anti Expedition’, and Nepali entries were among the winners as the festival concluded on Sunday.

Through Chori Beyond Borders, Krishma Subedi is building a space where Nepali women can dream beyond geographic boundaries without losing their sense of home.

‘Ekadeshma’ examines the emotional and cultural consequences of emigration.

A youth recalls the revolt that killed him and questions whether his death changed anything at all.

‘Umanga’ presents Kathak as a progression—from invocation and technical nritta to narrative-driven pieces rooted in Hindu mythology and devotional themes.

Drawing from Ranjana Lipi and Bhaktapur’s artistic heritage, Kristan Napit turns umbrellas into unconventional spaces for calligraphic experimentation.

Directed by Nabin Bhatta, the play uses Eklavya’s story to question power structures.

‘Sandhikal’ argues that Nepal’s transformation was driven not only by political upheaval but also by shifts in media, culture and public imagination.

The Post brings you a lowdown on some major events this week.

Govinda Sunar’s play follows a shaman-sculptor whose devotion, superstition and caste identity collide in a personal tragedy.

From tribute concerts to film screenings, Kathmandu’s listeners celebrated the American singer’s birthday as a voice that still speaks across generations.

The exhibit explores the often-overlooked contemporary aspects of the Nepali lifestyle.

Folk-rock band to hold concert in Kuala Lumpur as it reaches audiences of Nepali migrant workers abroad

The Festival’s latest line-up brings together visually ambitious fiction and personal documentaries from across the world.

As phones dominate everyday life, shared spaces across Nepal are growing quieter, more connected — and increasingly distant.

The South Korean supergroup won artist of the year at the fan-voted American Music Awards after returning from military service, while Taylor Swift left empty-handed despite leading nominations.

Burnout does not always look dramatic. Sometimes, it arrives as unread messages, cancelled plans and the urge to disappear.

Once viewed largely as a spiritual practice, meditation is now backed by growing scientific evidence linking it to emotional stability.

While films globally often use sequels to deepen storytelling and maintain ideological continuity, the Nepali film industry appears largely driven by the lure of box office returns.

The Hong Kong–Nepali rapper Suskihanna Gurung uses music to highlight often-unspoken struggles of diaspora youth and creative independence.